Official Stella Lefty release
A recording issued with Stella Lefty as the principal or co-principal artist, including standalone singles, EP tracks and distinct soundtrack work.
Artist song catalogue
A complete, carefully classified catalogue of Stella Lefty’s singles, EP tracks, collaborations, soundtrack work, official remixes, acoustic recordings, platform sessions and documented live performances. Each entry explains where the recording belongs and why a separate version is—or is not—counted.
Browse the catalogue ↓The catalogue
Search a title, EP, collaborator or note; browse titles A–Z; then narrow the results by catalogue section, year or sort order.
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References
References are kept here so recording notes remain uncluttered. The list updates with the current filters and visible results.
Classification guide
The first label identifies the catalogue section. The smaller lines beneath it explain Stella Lefty’s role and whether the recording is a principal release, feature, remix, acoustic take or public performance.
A recording issued with Stella Lefty as the principal or co-principal artist, including standalone singles, EP tracks and distinct soundtrack work.
A track led by another artist that formally credits Stella Lefty as a featured or shared performer.
A confirmed short or background contribution. No separate entry of this type was located in the current review.
A formally issued remix, genuine acoustic rerecording, platform session or named live performance outside the standard studio master.
A publicly documented demo or pre-release recording that is not already a formally released principal single. No separate entry is currently required.
Unreleased audio reported to circulate without authorisation. No qualifying Stella Lefty leak is currently counted.
A title supported by an artist statement, registration or performance where a released recording is not established. None is currently counted.
A related or disputed connection where a confirmed Stella Lefty recording does not apply. None is currently counted.
Catalogue overview
Principal releases, collaborations and alternate performances are separated so repeated EP appearances and processing-only versions do not inflate the total.
“from me to you” is retained in the official section because it received a formal digital release, even though some platform wording has described it as a demo.
Uncredited social-media snippets, fan remixes and processing-only variants are not counted without a traceable formal Stella Lefty release or performance credit.
Counting rules
The deciding question is whether a release contains a meaningfully new performance or formal co-billing—not simply a different speed, platform placement or package title.
Questions
Quick explanations for the release and version decisions that most affect this catalogue.
The archive includes formally released singles, every track from Tragic, Really and Is This Heaven?, soundtrack work, substantial collaborations, official co-billed remixes, a genuine acoustic recording and named platform or live performances.
This review counts 37 distinct records: 21 principal releases, one featured appearance and 15 officially documented alternate, live or public-performance versions.
Yes. All six songs from Tragic, Really and all seven unique songs represented by Is This Heaven? and its extended edition are included. Tracks repeated between a single, EP and extended edition are counted once.
A traceable worldwide release date and recording record remain available. Withdrawal from current streaming services changes its availability, not the fact that it was released.
The acoustic take has a separate recording identifier and represents a new performance. By contrast, the slowed and sped-up Boston tracks process the existing master and remain grouped with it.
The Hiko remix and Emely garage version are counted because each received an identifiable formal release with Stella Lefty co-billed. Ian Asher’s version is placed under features because he leads the release and credits Stella Lefty as the featured artist.
It remains in the official section because it appears on Stella Lefty’s own Is This Heaven? EP and is co-billed with Vincent Mason. The archive uses the feature section for another artist’s lead release.
No. Those variants do not establish a meaningfully new vocal performance. They are mentioned in the parent recording’s context but do not increase the catalogue total.
“Boston (Live),” dated 15 July 2026, is the newest distinct release located in this review. The newest studio song is “Good At Leaving,” released on the extended Is This Heaven? project on 3 July 2026.
A repost, fan title or unattributed clip is not enough evidence. Unreleased material is added only when a traceable artist statement, registration, performance record or comparable source establishes the title and Stella Lefty’s involvement.
The archive counts separately published performances from Stella Lefty’s official channel and professional platforms such as Amazon Music, Snapchat and SiriusXM, plus traceable covers that add a new song title. Routine concert repeats, fan footage and short social clips are excluded.
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