Official Rizzle Kicks release
A recording released with Rizzle Kicks as the principal artist, including album tracks, standalone singles and distinct soundtrack recordings.
Artist song catalogue
A complete, carefully classified record of Rizzle Kicks’ studio albums, early and self-released recordings, standalone singles, collaborations, official remixes, live releases and documented public performances. Each entry explains where the recording belongs and why a separate version is counted.
Browse the catalogue ↓The catalogue
Search a title, album, collaborator or note; browse titles A–Z; then narrow the results by catalogue section, year or sort order.
Results
References
References are kept here so recording notes remain uncluttered. The list updates with the current filters and visible results.
Classification guide
The first label identifies the catalogue section. The smaller lines beneath it explain Rizzle Kicks’s role and whether the recording is released, public, circulating, documented or otherwise unconfirmed.
A recording released with Rizzle Kicks as the principal artist, including album tracks, standalone singles and distinct soundtrack recordings.
A substantial guest verse, shared-billing track, ensemble recording or remix containing newly recorded Rizzle Kicks vocals.
A confirmed short or background contribution. No separate entry of this type was located in the current review.
An officially issued remix or acoustic version, or a documented live and television performance outside the standard studio catalogue.
A publicly documented recording from Minor Breaches of Discipline, the Shun the Non-Believer period, Left Over Presents or another traceable pre-label and self-released project.
Unreleased audio reported to circulate without authorisation. No qualifying Rizzle Kicks leak is currently counted.
A title supported by a registration, artist statement or public performance where a complete released recording is not established.
A related or disputed connection where a confirmed Rizzle Kicks recording does not apply.
Catalogue overview
Released recordings, collaborations, supporting vocals and unreleased material are separated so each type of entry is easy to understand.
Minor Breaches of Discipline remains a separate fourteen-track mixtape section. Individually identifiable Shun the Non-Believer and Left Over Presents recordings are also retained here because they circulated outside the standard commercial album catalogue.
Solo releases by Jordan Stephens or Harley Alexander-Sule are not counted unless the recording itself is credited to Rizzle Kicks.
Counting rules
The deciding question is whether the version contains a meaningfully new performance, not simply whether it has a different title or release date.
Questions
Quick explanations for the decisions that most often affect catalogue totals.
The archive includes the three studio albums, the Minor Breaches of Discipline mixtape, identifiable Shun the Non-Believer and Left Over Presents recordings, non-album singles, substantial features, official remixes and acoustic versions, soundtrack work and clearly documented public performances.
No. Solo music released as Wildhood, Al the Native, Jordan Stephens, Jimi Charles Moody or Harley Sulé is outside the Rizzle Kicks catalogue unless the specific recording is credited to the duo.
It is a pre-label mixtape built around sampled material and circulated outside the standard Island Records discography. The songs document the formation of Rizzle Kicks, but they are not presented as equivalent to a commercial studio album.
Contemporary reporting and the duo’s early official playlist support at least the identifiable titles “How Charming!” and “Party People Play This.” Those tracks are counted individually, but the archive still does not claim a complete EP tracklist or invent titles for unidentified uploads.
A remix is counted when it has a clear official title and release, or when new Rizzle Kicks vocals turn another artist’s song into a genuine collaboration. Radio edits and ordinary compilation duplicates remain grouped with the parent recording.
The iTunes Festival, Radio 1’s Hackney Weekend and Jingle Bell Ball performances are tied to named, professionally documented events. Each is labelled as a public performance so it cannot be confused with the studio master.
Tracks such as “Heart Skips a Beat,” “The Walk” and “Name in Lights” sit under features and collaborations because another artist leads the release while Rizzle Kicks provide a substantial audible contribution.
No. A track appearing again on a chart compilation, expanded edition or playlist does not create a new recording unless the audio itself is a distinct performance or officially identified version.
“Livin’ the Dream,” released on 12 June 2026, is the newest confirmed Rizzle Kicks release located in the current review.
A fan title, repost or unattributed file name is not enough evidence. Unreleased material is added only when an artist statement, registration, performance record or similarly traceable source supports it.
Send the title, correction and supporting source for review.