Main release
A distinct recording released under Ninajirachi’s own catalogue, including album, mixtape and EP tracks.
Artist recording catalogue
A recording-level catalogue of Ninajirachi’s officially documented releases, co-billed collaborations, commissioned remixes, alternate versions and selected public projects. Reissues using the same master are grouped rather than counted twice.
Browse the catalogue ↓The catalogue
Search a title, release or collaborator; browse A–Z; then narrow results by catalogue section, year or sort order.
Results
References
References are collected here so the recording cards remain uncluttered. This list updates with the current filters.
Classification guide
Each row identifies the kind of recording and whether Ninajirachi is the principal artist, collaborator, remixer or the subject of an official rework.
A distinct recording released under Ninajirachi’s own catalogue, including album, mixtape and EP tracks.
A standalone co-billed, featured or guest recording outside the core release sequence.
An officially released rework commissioned for another artist or media project.
A remix, VIP, extended or instrumental version of a Ninajirachi recording.
An officially documented DJ set, interactive world or commissioned software project.
Catalogue overview
The totals are calculated from the embedded dataset and update automatically when records are added.
Officially documented sets and commissioned projects that sit outside a standard song release.
Counting rules
The deciding question is whether the release contains a distinct master, remix, performance or commissioned project.
Questions
Notes on scope, duplicate releases and research limits.
Official main-artist releases, standalone collaborations, commissioned remixes, official alternate versions and selected public projects with reliable documentation.
The catalogue is recording-level. The same master is one entry even when it appears first as a single and later on an EP, album or compilation.
No. This revision is restricted to officially documented public material and does not link to or catalogue leaked audio.
They are public performance or commissioned-project documents, not ordinary standalone song masters, so they have their own classification.
Submit the title, release date and an official or label source for review.